The F-Stop Lotus was designed as a pack to carry a smaller amount of camera gear than the Tilopa or the Satori, however it just seems to work really well to carry the bulkiest of all the photo gear, the battery powered strobe kit. The Lotus works best with a Profoto 7b kit as you can fit the power pack, 2 heads and a the adjustable reflector inside. With the Elinchrom Ranger kit you can only fit 1 head in there due to the larger size of the Elinchrom Freelite heads, however you can easily fit an extra battery in with the different orientation of the Elinchrom Ranger power pack. With an Ranger kit in the Lotus you can fit the power pack, extra battery, charger, standard reflector and one Freelite head.
You get a call from a buddy, one of the riders you shoot with, "Dude you got a photo in this catalogue it's sick!", or you're checking out a companies website and notice one of your photos on there, or you're flipping through a magazine and there's an ad with your photo on it. Chances are if you shoot a lot of photos, it is bound to happen that someone uses one of your photos without contacting you, and without paying you. Below is a summary I've put together from advice given by pros and amateurs on the forums:
Mt. Baker, WA – After sweating it out above the Mexican restaurant, surrounded by lawyer offices, and fending off parking tickets, Funny Feelings Llc, publisher of frequency The Snowboarder’s Journal and The Ski Journal is making the big move to our new Area 542 Funny Feelworks facilities just off the Mt. Baker highway in Bellingham’s Irongate business district. “This has been a longtime coming, and will help us dramatically to continue to meet our growth,” said publisher Jeff Galbraith. “We’re going from less than 500 square feet to nearly 2,000 with our own shipping facility, and actual art dept. area -- and maybe even a ping pong table.”
Please note that starting Mon. March 10, all UPS, FED EX and other couriers should be addressed to:
Everyone is talking about slaves. But what is a slave? In fact it’s a remotely placed flash controlled by transmitting a signal to it. Action sports photography often requires multiple flash set-ups for lighting a scene. Of course you can use long sync cables and wire the whole place, but using a wireless slave flash system is much easier and more comfortable. To trigger a slave, you have to connect a device to your slave flash, or both to your camera and slave flash to trigger it. Basically the market offers three kinds of devices:
